Technical Nominees

Photos from the
2005 TEC Awards

Hall of Fame

Les Paul Award

TECnology Hall of Fame

Voting Process

Past Winners

Sponsorships

 
 

 

The projects listed below were nominated for the eligibility year April 1, 2004 - March 30, 2005. Winners were announced at the 21st Annual TEC Awards, Saturday, October 8 at the New York Marriott Marquis.

Record Production/Single or Track
(Awards go to Recording Engineer, Mixing Engineer, Mixing Facility Producer, Recording Studio, Mastering Engineer and Mastering Facility.)

WINNER “American Idiot,” American Idiot, Green Day
Recording Engineer: Doug McKean
Mixing Engineer: Chris Lord-Alge
Mixing Facility: Image Recording, Hollywood
Producers: Rob Cavallo, Green Day
Recording Studio: Ocean Way, Hollywood; Capitol Studios, Hollywood
Mastering Engineer: Ted Jensen
Mastering Facility: Sterling Sound, NYC

“Drop It Like It’s Hot,” R&G: The Masterpiece, Snoop Dogg featuring Pharrell
Recording Engineer: Andrew Coleman
Mixing Engineer: Phil Tan
Mixing Facility: Suite E, Atlanta, GA
Producers: The Neptunes
Recording Studio: The Record Plant, Hollywood
Mastering Engineer: Brian Gardner
Mastering Facility: Bernie Grundman Mastering, Hollywood

“Live Like You Were Dying,” Live Like You Were Dying, Tim McGraw
Recording Engineers: Julian King, David Bryant, Greg Lawrence
Mixing Engineers: Byron Gallimore, Tim McGraw
Mixing Facility: Essential Sound
Producers: Byron Gallimore, Tim McGraw, Darran Smith
Recording Studio: Allaire Studios, Shokan, NY
Mastering Engineer: Hank Williams
Mastering Facility: MasterMix, Nashville

“Mr. Brightside,” Hot Fuss, The Killers
Recording Engineer: Jeff Saltzman
Mixing Engineer: Mark Needham
Mixing Facility: Cornerstone Recording Studios
Producers: Jeff Saltzman, The Killers
Recording Studio: The Hearse, Oakland, CA
Mastering Engineer: Brian Gardner
Mastering Facility: Bernie Grundman Mastering, Hollywood

“Why Don’t You & I,” Artist Collection: Santana, Santana featuring Chad Kroeger
Recording Engineers: Jim Gaines, Juan Christobal Losada, Bill Malina, Lester Mendez
Mixing Engineer: David Thoener
Mixing Facility: Right Track, NYC
Producer: Lester Mendez
Recording Studios: Fantasy Studios, Berkeley, CubeJam, Miami, The Gallery, Miami, Cello Studios, Hollywood
Mastering Engineer: Leon Zervos
Mastering Facility: Masterdisk, NYC

Record Production/Album
(Awards go to Recording Engineer, Mixing Engineer, Mixing Facility, Producer, Recording Studio, Mastering Engineer and Mastering Facility.)

American Idiot, Green Day
Recording Engineers: Doug McKean, Chris Dugan, Reto Peter
Mixing Engineer: Chris Lord-Alge
Mixing Facility: Image Recording Studios, Hollywood
Producers: Rob Cavallo, Green Day
Recording Studios: Ocean Way Recording, Capitol Studios, Hollywood, Studio 880, Oakland, CA
Mastering Engineer: Ted Jensen
Mastering Facility: Sterling Sound, NYC

Feels Like Home, Norah Jones
Recording Engineer: Jay Newland
Mixing Engineer: Jay Newland
Mixing Facility: Sear Sound, NYC
Producers: Arif Mardin, Norah Jones
Recording Studios: Allaire Studios, Shokan, NY, Avatar Studios, Sear Sound, Sorcerer Sound, NYC
Mastering Engineer: Gene Paul
Mastering Facility: DB Plus, NYC

WINNER Genius Loves Company, Ray Charles
Recording Engineers: Terry Howard, Seth Presant, Ed Thacker, John Harris
Mixing Engineer: Al Schmitt
Mixing Facility: Capitol Studios, Hollywood
Producers: John Burk, Phil Ramone, Terry Howard, Herbert Watti
Recording Studios: Ocean Way Studios, Hollywood,
RPM International Studio, Los Angeles
Mastering Engineers: Doug Sax, Robert Hadley
Mastering Facility: The Mastering Lab, Los Angeles

Musicology, Prince
Recording Engineers: L. Stuart Young, Prince
Mixing Engineer: L. Stuart Young
Mixing Facility: Metalworks Studios, Ontario, Canada
Producer: Prince
Recording Studios: Paisley Park Studios, Chanhassen, MI, Metalworks Studios, Ontario, Canada,The Hit Factory, NYC
Mastering Engineer: Bernie Grundman
Mastering Facility: Bernie Grundman Mastering, Hollywood

There Will Be a Light, Ben Harper and the Blind Boys of Alabama
Recording Engineer: Jimmy Hoyson
Mixing Engineer: Jimmy Hoyson
Mixing Facility: Capitol Studios, Hollywood
Producer: Ben Harper
Recording Studio: Capitol Studios, Hollywood
Mastering Engineer: Stephen Marcussen
Mastering Facility: Marcussen Mastering, Hollywood
 
Surround Sound Production
(Awards go to 5.1 Mixing Engineer, Mastering Engineer, Producer, Mixing Facility, and Mastering Facility.)

WINNER Eric Clapton “Crossroads Guitar Festival”
5.1 Mixing Engineers: Neil Dorfsman, Mick Guzauski
Mastering Engineer: Darcy Proper
Producer: John Beug
Mixing Facilities: Barking Doctor Recording, Mount Kisco, NY, Hit Factory, NYC
Mastering Facility: Sony Music Studios, NYC

Crystal Method “Legion of Boom”
5.1 Mixing Engineers: Fred Maher, Nathaniel Kunkel
Mastering Engineers: Ric Wilson & Ignacio Monge
Producer: Jeff Levison
Mixing Facilities: Busy House, LA, Studio Without Walls, LA
Mastering Facility: Digisonics, Northridge, CA

Ray Charles “Genius Loves Company”
5.1 Mixing Engineer: Al Schmitt
Mastering Engineers: Doug Sax, Robert Hadley
Producers: John Burk, Phil Ramone, Herbert Waltl
Mixing Facility: Capitol Studios, Hollywood
Mastering Facility: The Mastering Lab, Hollywood

Bonnie Raitt “Nick of Time”
5.1 Mixing Engineer: Ed Cherney
Mastering Engineer: Doug Sax
Producer: Don Was
Mixing Facility: Capitol Studios C, Hollywood
Mastering Facility: Das Boot, Lake Tahoe, CA

Simon & Garfunkel “Old Friends Live on Stage”
5.1 Mixing Engineer: Michael H. Brauer
Mastering Engineer: Ted Jensen
Producers: Paul Simon, Art Garfunkel
Mixing Facility: Quad Studio, NYC
Mastering Facility: Sterling Sound, NYC

Tour Sound Production

(Awards go to Tour Company, FOH Engineer and Monitor Engineer.)

Josh Groban
Tour Company: Maryland Sound, Baltimore, MD
FOH Engineers: Bob Goldstein, Mickey Beck
Monitor Engineer: Will Miller

Green Day, “American Idiot” Tour

Tour Company: Showco, Dallas, TX
FOH Engineer: Kevin Lemoine
Monitor Engineer: Beau Alexander

Prince, “Musicology” Tour
Tour Company: Eighth Day Sound, Highland Heights, OH
FOH Engineer: Scottie Pakulski
Monitor Engineer: Gordon Mack

Toby Keith, “The Big Throwdown” Tour
Tour Company: Sound Image, Escondido, CA
FOH Engineer: Dick Durham
Monitor Engineer: Earl Neal

WINNER U2, “Vertigo” Tour
Tour Company: Clair Brothers, Lititz, PA
FOH Engineer: Joe O’Herlihy
Monitor Engineers: Robbie Adams, Niall Slevin, Dave Skaff
 
Remote Production/Recording or Broadcast
(Awards go to Remote Engineer, Production Mixer, Music Mixer and Remote Facility.)

The 47th Annual Grammy Awards, CBS
Production Mixers: Ed Greene, Paul Sandweiss
Music Mixer: John Harris and Jay Vicari
Remote Facility: XM Productions- Effanel Music, NYC

77th Annual Academy Awards, ABC
Remote Engineer: David Hewitt
Production Mixer: Ed Greene
Music Mixer: Tom Vicari
Remote Facility: Remote Recording, NYC

WINNER Crossroads Guitar Festival, WNET/Sirius Radio
Remote Engineers: Elliot Scheiner, Ed Cherney, Kooster McAllister, Greg Ondo
Music Mixers: Mick Guzauski, Neil Dorfsman
Remote Facilities: Remote Recording, NYC, Record Plant Remote, Ringwood, NJ, MTV Networks, NYC

SMiLE, Creators at Carnegie, NPR

Remote Engineers: Mark Linett, David Hewitt
Production Mixers: Flawn Williams, Andrea Jackson-Gewirtz, Leszek Wojcik
Music Mixer: Mark Linett
Remote Facility: Remote Recording, NYC

Super Bowl XXXIX, Fox
Remote Engineers: Biff Dawes, Allan Baca, George Moshonas, Paul Niesen, Alan Slanksy
Production Mixer: Andrew Waterman, Fred Aldous
Music Mixer: Dirk Vanoucek
Remote Facility: Westwood One, Culver City, CA
 
Film Sound Production
(Awards go to Supervising Sound Editor, Sound Designer, Re-Recording Mixer, Production Sound Mixer, Score Mixer and Audio Post Facility.)

WINNER Ray, Universal Studios
Supervising Sound Editors: Karen Baker Landers, Per Hallberg
Sound Designer: Scott Sanders
Re-Recording Mixers: Bob Beemer, Scott Millan, Greg Orloff
Production Mixer: Steve Cantamessa
Score Mixer: Geoff Foster
Audio Post Facility: Soundelux, Hollywood, Sony Pictures Studios, Culver City, CA

The Incredibles , Disney/Pixar
Supervising Sound Editor: Michael Silvers
Sound Designer: Randy Thom
Re-Recording Mixer: Gary Rizzo
Production Mixer: Doc Kane
Score Mixer: Dan Wallin
Audio Post Facility: Skywalker Sound, San Rafael

The Aviator, Miramax
Supervising Sound Editors: Eugene Gearty, Philip Stockton
Sound Designer: Eugene Gearty
Re-Recording Mixer: Tom Fleischman
Score Mixer: John Kurlander
Audio Post Facility: C5, Soundtrack, NYC

Spider-Man 2, Sony Pictures
Supervising Sound Editor: Paul N. J. Ottoson
Sound Designer: Paul N. J. Ottoson
Re-Recording Mixers: Jeffrey J. Haboush, Corey Mandel, Kevin O’Connell, Greg P. Russell
Production Mixer: Joseph Geisinger
Score Mixer: Dennis Sands
Audio Post Facility: Sony Picture Studios, Culver City, CA

Lemony Snicket’s A Series of Unfortunate Events, DreamWorks Pictures, Paramount
Supervising Sound Editor: Richard King
Sound Designer: Richard King
Re-Recording Mixers: Anna Behlmer, Andy Nelson
Production Mixer: Pud Cusack
Score Mixers: Armin Steiner, Thomas Vicari
Audio Post Facilities: Warner Brothers, Burbank, Fox
 
Television Sound Production
(Awards go to Supervising Sound Editor, Re-Recording Mixer, Production Mixer and Audio Post Facility.)

Alias, ABC
Supervising Sound Editor: Tom deGorter
Re-Recording Mixers: Lisle Engle, Andy D'Adarrio
Production Mixers: Douglas Axtell, C.A.S., Frank D. Menges, C.A.S.
Audio Post Facility: Buena Vista Sound, Burbank, CA

Cold Case, CBS
Supervising Sound Editor: Cindy Rabideau
Re-Recording Mixers: Joe Barnett, Matt Waters
Production Mixer: Mark McNabb
Audio Post Facility: Todd-AO West, Santa Monica, CA

CSI, CBS
Supervising Sound Editor: Mace Matiosian
Re-Recording Mixers: Yuri Reece, Bill Smith
Production Mixer: Mick Fowler
Audio Post Facility: Todd-Burbank, Burbank, CA

Lost, ABC
Supervising Sound Editors: Tom deGorter, Trevor Jolly, Marc Glassman
Re-Recording Mixers: Frank Morrone, Scott Weber
Production Mixers: David Barr Yaffe, C.A.S., Richard Lightstone, C.A.S., Michael Moore
Audio Post Facility: Buena Vista Sound, Burbank, CA

WINNER 24, Fox
Supervising Sound Editor: William Dotson
Re-Recording Mixers: Michael Olman, Kenneth Kobett
Production Mixer: Bill Gocke
Audio Post Facilities: Universal Studios, Universal City, Wilshire Editorial Inc., Burbank, CA
 
Studio Design Project
(Awards go to Architect or Studio Designer, Acoustician and Studio Owner.)

WINNER Jazz at Lincoln Center Studios, NYC
Architect or Studio Designer: Walters-Storyk Design Group
Acousticians: Russell Johnson, John Storyk, Sam Berkow
Studio Owner: Jazz at Lincoln Center

St. Claire Recording Company, Lexington, KY
Architect or Studio Designer: Pilchner Schoustal International Inc.
Acoustician: Pilchner Schoustal International Inc.
Studio Owner: John Parks

The Barber Shop Studios, Hopatcong, NJ
Architect or Studio Designer: Francis Manzella Design Limited
Acoustician: Francis Manzella
Studio Owners: Scott Barber, Mark Salamone

SoundLounge: Studio Holcomb, NYC
Architects or Studio Designers: Sam Berkow/
Barbra Moore, B. Moore Design Inc.
Acoustician: Sam Berkow, SIA Acoustics
Studio Owners: Peter Corbit, Peter Holcomb

Unit Eye, Ojai, CA
Architect or Studio Designer: studio bau:ton
Acoustician: studio bau:ton
Studio Owner: Bruce Botnick


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