Ancillary Equipment

WINNER Apogee Big Ben 192kHz master clock: Big Ben, with Apogee’s breakthrough C777 digital clock, revolutionizes a studio environment by synching all digital devices with incredible precision and flexibility. With features like SureLock, format conversion, optional FireWire connectivity, termination sensing, and advanced and intelligent clocking, Big Ben makes an immediate enhancement to sound quality that can be heard.

Audio-Technica ATH-M20 headphones: These pro monitor headphones feature a low-profile, closed-back design that delivers exceptional clarity and isolation. Rich bass response and extended high end come from 40mm drivers, each with a neodymium magnet structure and copper-clad aluminum wire voicecoils. Features: adjustable/cushioned comfort headband, 1/8-inch stereo plug and snap-on 1/4-inch adapter, ultraflexible 10-foot coiled cable and 30 to 20k Hz frequency response.

Sennheiser HD650 headphones: The audiophile HD 650 open, dynamic headphone design was developed from the award-winning Sennheiser HD 600, with improved materials for even better sound reproduction. Its 10 to 39,500 Hz response offers listeners expressiveness and emotion while maintaining precise, lifelike reproduction to satisfy the most demanding listener.

SPL Surround Monitor Controller: This analog volume control/switching matrix for system-independent 5.1 and stereo monitoring is designed to provide only the necessary functions with excellent audio quality. The SMC offers a cost-effective speaker/source-management solution for essentially any audio application, including surround and stereo production; DVD-V, DVD-A, SACD and DTS authoring; film/video post, video/game creation; and A/V and multimedia production.

TerraSonde Digital Audio Toolbox: The Digital Audio Toolbox provides a complete set of digital audio test, troubleshooting and utilities in an affordable handheld device. Functions include transparency test, bitstream analyzer, lock tests, bitscope, latency test, jitter meter, clock and sample counter, distortion meter, digital signal generator, digital cable tester, level meter, sample rate converter and Sony 9-pin tester.

Whirlwind E Snake digital snake system: The Whirlwind E Snake™ system comprises E Snake Frames and E Snake Control™ management software. Two or more frames connected via a 100Mb Ethernet switch with Cat-5, fiber optics or the Whirlwind E Beam laser can replace the traditional analog audio snake. E Snake utilizes CobraNet, the industry standard for real-time, multichannel networked audio, and individual E Snake Frames may be used as high-quality mic/line access nodes on existing CobraNet networks.

Digital Converter Technology

WINNER MOTU 828mkII FireWire audio interface: This one-rackspace FireWire audio interface for Mac and Windows offers 20 channels of input and 22 channels of output that are expandable to 80/88 channels. Features include 10 channels of 24-bit/96kHz analog I/O on balanced TRS connectors and two Neutrik XLR/TRS Combo connectors with built-in mic pre’s; ADAT Lightpipe I/O; S/PDIF; latency-free 20-input/8-bus monitoring; stand-alone operation with front panel LCD programming; and drivers for all major audio software.

Apogee Rosetta 800: The Rosetta 800 offers eight channels of Apogee AD/DA conversion with a multitude of connectivity options and core Apogee features such as SoftLimit, UV22HR and Intelliclock dual-stage clocking. With an X Series expansion card installed, the Rosetta 800 makes a direct connection to Pro Tools or any FireWire-enabled computer, providing compatibility with virtually any audio production environment for pro and project studios alike.

Dolby DP563 With Pro Logic II: The DP563 encoder puts program material with up to five channels into either Dolby Surround or Pro Logic II formats for 2-channel analog or digital applications, including television broadcasts, radio, commercials, video games, CDs and VHS tapes. The DP563 features digital I/O, a pre-processing stage to premix 5.1 material for Dolby Surround or Pro Logic II encoding, individual channel trims, output gain control, output limiter and metadata control.

Metric Halo ULN-2+DSP: This 1RU bus/battery-powerable FireWire interface with four inputs and eight outputs of comprehensive simultaneous I/O offers 24/96kHz AD/DA conversion, two channels of Ultra Low-Noise preamps (130.5 dBu EIN), stereo digital I/O (AES and S/PDIF), balanced send/return path, and individual monitor and headphone outputs with front panel level controls. Onboard DSP provides access to Metric Halo signal processing without sacrificing a computer’s processing power.

Prism ADA-8 with DSD interface: The Prism Sound ADA-8 multichannel AD/DA converter range adds a DSD interface module compatible with the multi-coaxial standard DSD format, along with the Cat-5 24-channel SuperMAC format. The new module allows DSD masters to be printed direct from any PCM format.

Universal Audio 2192 master audio interface: Combining Universal Audio’s analog sound heritage with cutting-edge DSP technology, the 2192 features sample rates to 192k; real-time transcoding between AES/EBU, S/PDIF and ADAT; and support for single- and dual-wire AES modes for interfacing to the modern DAW studio. Class-A analog circuitry provides detail and clarity via a DC-coupled, fully dual-differential, matched FET, all-discrete, no capacitor, no-compromise analog signal path.

Amplifier Technology

WINNER Crown I-Tech: Crown’s flagship amp for touring and corporate P.A., all I-Tech Series models are 2RU and weigh less than 28 pounds. I-Tech amps feature patented Class-I switching output design, global regulated power supply with PFC, integrated studio-quality DSP with 24-bit/96kHz converters, AES/EBU digital and analog inputs, front panel LCD for easy menu-based setup and full amplifier diagnostics, and integrated IQ Network control.

Hot House Model One Thousand: Fully differential from input to output and utilizing a split-dual toroidal power supply, this radical new design uses intelligent output device technology to yield a transparent, low-distortion, high-fidelity, yet bulletproof pro amp. It sidesteps sonically degrading, traditional external thermal bias and protection circuits for the benefits of pure Class-A operation without the drawbacks, providing excellent timbral and spatial detail, effortless transients and precise, deep LF response.

QSC Audio SRA-2422 studio reference amp: Based on QSC’s acclaimed DCA Digital Cinema Series technology, the SRA is the first amp created to bring this world-class cinema reference standard to a critical listening environment. Now, the pristine highs and seat-rumbling lows of QSC’s legendary "Power Behind the Pictures" is available to studios, film/video post facilities and high-end residential installations, offering a sleek design that’s at home in the most demanding décor with superb performance.

Camco Tecton Series: The Tecton Series feature Camco’s High-Efficient-SMPS (Switch Mode Power Supply), delivering the same high-level performance, low dynamic distortion and superior sound quality that characterize Camco’s successful Vortex range but at a more accessible price. The series has 10 compact, lightweight models, ranging from 2x 300W up to 2x 1,950W for use with high or low impedances and in three operational modes: parallel mono, bridged mono and stereo.

Architectural Acoustics ICS 4200: Designed for permanent installs, the ICS 4200 industrial power amp features four independent, 200W amplifier channels in a compact, fan-cooled two-rackspace chassis. The ICS 4200 can supply maximum output power to both low-impedance (4 and 8 ohm) and high-impedance (70-volt) loads simultaneously in single-channel or 2-channel pairs. Channels A and B or channels C and D can be operated in low or high impedance or bridged mode.

Mic Preamplifier Technology

WINNER Focusrite ISA 430 MkII Producer Pack: The ISA 430 MKII brings together several classic Focusrite designs in one comprehensive production tool. Features: transformer-based mic pre with variable impedance and "air" feature; 192kHz A-D conversion; vintage compression modes via the multiformat (VCA or optical) compressor; classic Focusrite EQ design; and the ability to function as four separate modular processors: mic pre, EQ, dynamics and stereo ADC.

Demeter VTMP-2c: The original VTMP-2a was the first tube preamp nominated for a TEC Award. The tradition continues with the VTMP-2c, updated in a hand-built, limited-production version. The VTMP-2c retains the original’s classic sound but adds new features such as continuously variable gain, new Jensen mic transformers, active balanced outputs, 2-stage low cut, 10-segment LED meters and more. Each unit is hand-signed and numbered by designer James Demeter.

Millennia Media TD-1 recording channel: Millennia’s new Twin Topology® half-rack recording channel—the company’s seventh TEC-nominated product—the TD-1 includes the acclaimed HV-3 preamp, a first choice for classical music recording. TD-1 also offers selectable tube or all-discrete solid-state DI amplifiers; multiple impedance selections; twin Reamp® outs; Speaker Soak® input; dual-band fully parametric EQ; audiophile-grade headphone output with gain, polarity flip, pad, custom DIT-01 output transformer (3 Hz to 300 kHz); and total ground isolation.

Oram Pro GMS-Al Schmitt: The Pro-Channel™ is Al’s dream tracking box, with pure analog switching between three different mics for comparison, an optical compressor and a 6-band EQ with step-switching for precise resetting. The optical compressor can be switched pre/post the EQ bands. The sound is soft-knee and translucent, and features attack, release and ratio. The EQ has six bands that can be individually switched in/out. All bands have fine 25-step controls of 24dB range.

SPL GainStation 1: This compact, single-channel unit has two separately controllable preamp stages, a transistor and a tube preamp stage. Optimal gain points can easily be determined for each stage and combined, providing flexible sound tailoring for mics and instruments. The fully discrete Class-A circuitry of the GainStation 1 operates on a 60V rail. The feature set includes peak and FET limiters and switchable input impedance.

SSL XLogic 4-Channel SuperPre: The XLogic Mic Amp provides four of the legendary XL 9000 K Series SuperPre preamps in a single-rackspace unit with optional remote control. Designed to work stand-alone, remote-controlled or directly from a suitably configured SSL XL9000 console, the XLogic SuperPre puts the acclaimed quality of these world-renowned preamps right next to the source to be captured.

Microphone Technology / Sound Reinforcement

WINNER RØDE S1: The S1 employs a true condenser transducer for studio-quality reproduction. The S1’s sophisticated highpass filter and supercardioid pickup dramatically reduce undesirable low-frequency background and handling noise—virtually eliminating feedback. The five-piece hardened-mesh head protects the transducer, while filtering breath, wind and plosive noise without affecting sensitivity or frequency response.

AKG Emotion TriPower C5900M: The C5900M has the pure, articulate sound of an AKG studio mic in a package designed for use in concert applications. Like a studio condenser, the C5900M has a low-frequency roll-off switch and -6dB pad to tailor the mic’s response to the application. Its special spider suspension, spring-steel wire-mesh grille and solid construction make it a rugged and reliable choice for demanding artists and engineers.

Audio-Technica Midnight Blues MB3k: The Midnight Blues Series standout performance microphone, the MB3k dynamic vocal mic, has an extended frequency response specifically developed to capture lead, backup and choral vocals. Its high-energy neodymium magnet structure provides improved output and extremely fast transient response. Other features include A-T’s Magna-Lock silent switch, soft-touch finish, a 60 to 14k Hz response and gold-plated XLR connectors.

Audix Micros: Comprising two models—M1245 and M1290—the Micros are the smallest condenser microphones in the world with an integrated preamp and detachable cable. These studio-quality mics offer high-quality performance with very low noise and wide dynamic range, and are available in a variety of polar patterns and sensitivities. Due to their size and performance, the Micros are used on everything from drums and percussion to choirs and symphonies.

DPA Microphone A/S 4088 cardioid microphone headband: Specifically designed for use in feedback-prone environments, this adjustable headworn mic is small and light weight with a miniature boom that attaches to the headband frame, capturing both ears for a secure, comfortable fit. Its uncompromising sound quality and high-SPL capabilities make it the perfect choice for pros requiring clarity, realism and increased gain before feedback.

Sennheiser Evolution e935: The e935’s new cardioid neodymium/boron dynamic capsule delivers exceptional gain before feedback (3 to 6 dB greater than e835) and high 2.8mV/Pa output while producing a very clear "airy" vocal sound. The e935s sonic excellence is complemented by an elegant, new tapered black handle and Audi blue grilles. Like all Evolution microphones, the e935 boasts an unprecedented 10-year warranty.

Microphone Technology / Studio

WINNER Neumann TLM 127: This large-diaphragm studio condenser mic has omni and cardioid patterns, although an optional power supply adds remote-control switching between five directional characteristics: omni, wide cardioid, cardioid, hypercardioid and figure-8. The mic also features a 14dB attenuation switch and a two-position highpass filter switch for a -3dB cut at 15 Hz or 100 Hz.

Audio-Technica AT3060: The AT3060 delivers warm, classic tube sound with a hand-selected, individually tested and aged tube and a large-diaphragm cardioid condenser element providing high sensitivity, smooth sound and low noise. A shock-mounted tube assembly dampens mechanically coupled vibrations. The AT3060 operates on 48V phantom power, has a 50 to 16k Hz response and comes with the AT8458 shock-mount.

RØDE K2: The K2’s HF1 capsule is the result of designing and building thousands of tube mics. The sound quality combines modern high-end specs with the character and subtleties of the legendary ‘50s mics. Totally variable control of the K2’s polar patterns provides flexibility for any recording situation.

Schoeps CMC6 xt: The CMC6 xt is the latest addition to the acclaimed Colette Modular Microphone System. Combined with one of the company’s capsules with frontal sound incidence, the user can benefit with an extended frequency range from 20 Hz to more than 40 kHz. The CMC6 xt can be driven by either 48V or 12V phantom power, retaining a very low output impedance of 35 and 25 ohms, respectively.

Soundelux e49: This remote variable-pattern tube mic (continuous from figure-8 to cardioid to omnidirectional) uses Soundelux’s KK47 large-diaphragm capsule and a unique head grille, designed to replicate the acoustic and mechanical sonic signatures of the original tube 49. The E49 uses the Soundelux SteadyState fixed-bias-type tube amplifier, which is similar to the original but has lower noise and distortion.

Telefunken Ela M12: Celebrating the 50th anniversary of the original C-12 microphone, Telefunken North America offers the Ela M12. Each system is handcrafted in the U.S. using the original Austrian blueprints and meticulously duplicating the original C-12 specifications. The Telefunken Ela M12 features a TK-12 capsule with nine polar patterns, T14 transformer and NOS 6072 tube.

Wireless Technology

WINNER Sennheiser Evolution Wireless G2: In 1992, Sennheiser "evolutionized" the world of performance wireless with its original Evolution wireless series. Again pushing the limits of audio performance, ruggedness and ease of use, the redesigned G2 features much smaller body packs, larger backlit LCDs, AutoScan™ function, 1,440 selectable frequencies within a 36MHz switching bandwidth and an intuitive user interface.

AKG WMS 4000: This wireless system offers a 120dB dynamic range and 35 to 20,000 Hz response. Its unique frequency search and management scheme makes setup and operation simple and reliable, and a Smartbattery system delivers 12 hours of operation from each charge. A full range of available accessories can customize a WMS 4000 system for any application.

Audio-Technica Artist Elite AEW-4250: Featuring the AEW-T5400 large-diaphragm cardioid condenser handheld transmitter and the frequency-agile AEW-R4100 receiver, the system offers True Diversity operation, advanced digital Tone Lock squelch and dual-compander circuitry that processes high and low frequencies separately for unmatched sound quality. IntelliScan™ automatically finds/sets the best available frequencies on all linked receivers.

Electro-Voice RE-2: The RE-2 Series brings sophisticated pro features to an affordable price point. The RE-2 is a completely programmable, frequency-agile system with one-touch Auto-ClearScan™, operating over 28 MHz, with XLR mic or line-level output and many other features.

Sabine 2.4GHz SWM7000: The SWM7000 redefines what a wireless system can do. Usable worldwide, Sabine’s 2.4GHz Spread Spectrum wireless is immune to analog and digital television interference, and is packed with built-in digital signal processing (mic modeling, onboard compression, Feedback Exterminator™, etc.) and a clever battery-charging system. With multiple control options and a digital audio output, the SWM7000 is innovative, flexible and engineered to sound as good as the best wired mics.

Sound Reinforcement Loudspeaker Technology

WINNER Meyer Sound MILO: This high-power curvilinear array is a four-way, self-powered system with nearly 4,000W of onboard amplifier power, and Meyer Sound’s proprietary complex crossover, protection and monitoring circuitry. Patent-pending QuickFly® rigging makes MILO setups fast and easy. Lightweight, powerful, reliable, easy to use and sonically pristine, MILO’s popularity continues to increase rapidly, with its success spawning the new MILO 120, an expanded coverage version.

Bose L1: Ten years of research into the problems of conventional systems led to the radical Cylindrical Radiator™. Unlike conventional speakers, the new speaker radiates sound across the stage and throughout an audience of several hundred with little change in tone or level. This entirely new approach to amplification places a Cylindrical Radiator loudspeaker behind each player, replacing the monitor system, P.A. speakers, backline instrument amps and mixing consoles.

Community M12: This compact, rugged glass-composite monitor offers clean sightlines for the audience and the camera. Specially molded channels and cable clips bring the speaker cables out of the back or either side for easy positioning. The M12 has a 12-inch woofer and a 2-inch exit HF driver on a molded one-piece asymmetrical horn with a 90° pattern at the top and 40° at the bottom, allowing full-range monitor output close-up or at a distance.

EAW KF730 SLAM: The KF730 SLAM (Small Line Array Module) packs a six-driver horn-loaded KF Series design into an amazingly compact enclosure, setting a new record for output-pet-cubic-meter. The full-sized mid/high horn fills the entire face of the enclosure, ensuring broadband 110° horizontal pattern control. The unique Phase Aligned™ LF design extends horizontal pattern control into the LF, and a bi-amplified powering configuration (passive mid/high) reduces total system cost and complexity.

Martin Audio W8LC: This compact, three-way all-horn line array offers the same audio quality, consistent coverage, high efficiency and rapid setup of its popular predecessor, the W8L Line Array system. This true "mid-sized" system is ideal for small arenas, theaters, clubs and rentals. The W8LC’s exceptional performance grows from Martin Audio’s unique design and time-tested horn-loading techniques, which transcend the typical compromises of other line arrays.

SLS RLA/2: This compact ribbon line array is designed for medium to small venues. Its light weight (60 pounds per module) and small size, along with the convenient rigging, make it perfect for permanent installations, corporate events production or anywhere a large imposing speaker system is prohibited. Each (LS8800) module of the RLA/2 Ribbon Line Array has two 8-inch high-powered cone drivers and one SLS PRD1000 proprietary push/pull neodymium ribbon driver.

Studio Monitor Technology

WINNER JBL LSR6300 Series: JBL’s LSR6300 monitors go beyond "accurate" to solve problems in the mix environment. RMC™ (Room Mode Correction) technologies compensate for acoustic problems induced by the room’s boundaries and provide greater accuracy at the mix position in any sized control room. With patented JBL transducer designs and a host of features for working pros, LSR6300 studio monitors eliminate the guesswork from mixing.

ADAM S4V-A: The S4V-A is the most affordable ADAM monitor using the A.R.T. midrange unit, which translates the advantages of ADAM’s folded ribbon technology to frequencies down to 600 Hz. The benefits of this driver are numerous: It frees the midrange from typical coloration caused by cone drivers, it has excellent dispersion and it has the ability to create a remarkably natural soundfield.

Dynaudio Acoustics AIR 25: AIR 25 is the latest (and largest) AIR Series reference monitor. The three-way active main monitor has two 10-inch woofers, a 5.5-inch midrange and a 1.1-inch soft-dome tweeter. With four built-in amps enabling more than 1,200W of power, AIR 25 is designed for larger studios that require substantial power, with an extended frequency range that’s equally suited for stereo and multichannel monitoring.

Event Electronics Studio Precision 8: This bi-amped two-way system has an 8-inch mineral-impregnated polypropylene cone woofer and a 1-inch Ferrofluid-cooled soft-dome high-frequency radiator—both using neodymium magnets. Features include 35 to 20k Hz frequency response, active fourth-order asymmetrical crossover, continuously variable input sensitivity, HF and LF trim controls, dual linear-flow bass ports and a gloss-black "piano" finish.

Genelec 7073A subwoofer: The 7073A active subwoofer offers powerful and precise bass reproduction for large stereo or surround installs. Its 19Hz LF cut-off and 124dB peak capabilities are sufficient to handle the most demanding high-SPL applications. The 7073A features four 250W amps, one for each one its four 12-inch drivers. Driver-overload protection and power-on signal muting are included, as is a built-in 6.1 bass manager.

Tannoy Ellipse 8/10: Built on Tannoy’s award-winning loudspeaker technologies, the Ellipse range is the first of a new generation of studio monitors using Dual Concentric™ drivers, Tannoy’s WideBand™ technology, and proprietary amplification and active circuitry. The unique elliptical birch cabinet offers a striking appearance and a clean, uncolored acoustic representation of the recording.

Musical Instrument Technology

WINNER Taylor Guitars/Rupert Neve Expression System: The Expression System (ES) is a magnetic-based acoustic guitar pickup with a balanced output. The ES uses a string pickup and two body sensors to accurately capture the tone generated by the vibrating top. The ES preamp features Mr. Rupert Neve’s signature EQ curve in the correct frequency ranges for acoustic guitar.

Arturia Moog Modular V virtual synth: Developed with Bob Moog, MMV is a virtual Moog Modular for Mac/PC. Possibilities include nine oscillators, three filter slots, two LFOs, six envelopes, VCAs, mixers, triggers, a 3x8 step-sequencer, etc. Based on TAE™, a revolutionary technology dedicated to the emulation of analog circuits, MMV brings excellent sound quality of sound with the ease of 500 presets of this legendary synthesizer.

Korg Triton Extreme: The Triton with attitude, the Triton Extreme offers more of everything that made the Triton family the workstation of choice for thousands of producers and musicians the world over. Tricked out with vacuum tube processing, USB audio CD burning and data sharing, CompactFlash data storage, digital I/O and stuffed with sounds, it’s everything Triton—taken to the Extreme.

Moog PianoBar: In minutes, PianoBar turns virtually any acoustic piano into a powerful MIDI controller without affecting the feel of the piano keys. It includes a scanner bar to sense the keys’ motion with infrared technology, a pedal sensor that follows the sustain and soft pedals, and a control module housing the MIDI controller functions and a general MIDI sound module.

MOTU MachFive: This universal software sampler plug-in offers unprecedented compatibility and operability with all major plug-in formats, soundbank libraries and sample formats, from Giga to SampleCell to Kurzweil. Load any sample—even multichannel 5.1 samples—in seconds. Stream large samples from disk. Fine-tune your sounds with on-the-fly crossfade looping and many other advanced features.

Roland V-Synth: This expressive new instrument is the first synth to offer multiple oscillator technologies with real-time control over a waveform’s pitch, time and formant. Sounds can then be processed through new COSM filters, a killer arpeggiator and a powerful control interface, including a TimeTrip pad and intuitive touchscreen, plus revolutionary TimeTrip Pad and Twin D-Beams.

Signal Processing Technology / Hardware

WINNER Universal Audio 2-1176: The 2-1176 features the trademark sound of its 1176 ancestor and can run in stereo-link or dual-mono operation with independent compression and gain controls in dual-mono mode. The 2-1176 preserves the classic all-button or "British" mode of the legendary 1176LN and adds a new 1:1 compression ratio option, allowing it to be used as a "tone box" for coloration without compression.

Drawmer SP2120: The SP2120 eliminates the possibility of "unauthorized" sound pressure levels, preventing noise levels from exceeding limits you set and protecting speakers (or ears!) from damage. Inserted before the amplifier stage, the P2120 combines multiple time-constant and AGC circuits so small overloads sound louder—even though they’re not. The protection is transparent to the ear, maintaining the specified volume level without degrading the sound quality.

Eventide H8000: This 8-channel hardware processor offers nearly 1,500 of Eventide’s best music and post preset algorithms. Offering more power than Orville, the H8000 features Monolithic Tandem™, in which both processors operate together on large complex algorithms, including 5.1 reverb and 96kHz effects. It has eight channels of AES/EBU, ADAT and S/PDIF digital I/O, and premium quality stereo analog I/O with >110 dB of dynamic range.

Roger Linn Design AdrenaLinn II: This unique guitar effects processor combines 24 superb guitar amp models with an innovative beat-synched effects generator. Effects include tremolo, flanging, filter sweeps, random filtering, audio delay and even programmable looping filter sequences—all synched to the internal drum machine or MIDI clock. Also included are classic filter effects like auto-wah, talk box and guitar synth sounds, with emulations of classic Moog and Oberheim filters.

SSL XLogic Multichannel Compressor: This two-rackspace 6-channel compressor uses classic SSL center-compressor design elements within a SuperAnalogue design topology. This brings the dual benefits of spectacular surround audio performance with a universally acclaimed compressor characteristic.

TC Electronic Reverb 4000: Reverb 4000 is a true stereo reverb that includes emulations of the classics and algorithms from its predecessors: System 6000 and the M5000. Features include instant front panel access for live use, 44.1 to 96kHz sample rates and 24-bit processing, AES/EBU, TosLink, S/PDIF, ADAT, analog inputs and outputs, and USB controlled via a Mac or PC.

Signal Processing Technology / Software

WINNER Waves IR-1: A convolution reverb with flexible classic controls, IR-1 allows editing of all the traditional parameters and offers new controls to easily shape the reverberant space. IR-1 includes an extensive library of samples and presets that re-create the sonic environment of carefully sampled real acoustic spaces and classic hardware devices, using technology based on years of research

Antares Filter: Filter lets composers, remixers and engineers harmonically shape their tracks with surgical precision or animate them with almost limitless tempo-synched rhythmic effects. With four true stereo multimode filters, powerful modulation capabilities and features specifically targeted at rhythmic, groove-based music composition, Filter provides the power to create dynamic effects that range from subtle to extreme.

Eventide Octavox harmonizer: Derived from Orville for Pro Tools TDM, Octavox is an eight-voice, time-based, diatonic harmonizer pitch-shifter plug-in. Each voice can be manipulated quickly and intuitively. Dragging harmonized intervals across bars and beats allows musical rhythmic sequences to be created from a single note. Each voice features a four-octave range, delay and individual pan controls.

Focusrite The Forté Suite: The Forté Suite plug-in brings the signature sound of the Focusrite’s legendary Forté Studio Console to Pro Tools|HD and HD Accel users, via accurate software representations of the classic ISA 110 EQ and ISA 130 compressor. These entirely new algorithms in the EQ and Dynamics modules may be deployed separately, in mono, stereo and—for compression—up to 7.1 surround.

TC Electronic Restoration Suite: Restoration Suite offers four real-time plug-ins for audio restoration. DeScratcher includes patented new technology that eliminates distracting impulsive-type errors in audio material. DeNoise is optimized for broadband noise removal, from tape hiss to static environmental noise. DeClick repairs crackles and clicks and features a streamlined user interface with only two key parameters. DeCrackle removes artifacts and repairs constant surface noise.

Unique Recording Classic Console EQs: The URS Classic Console Equalizer is designed to re-create the pro analog recording studio sound to the Pro Tools studio. These 192kHz multi-shell plug-ins work with TDM, RTAS and AudioSuite for use on the entire PC/Mac Pro Tools platform, including Mbox, Digi 001, Digi 002, Digi 002 Rack, Pro Tools|24 MIX, Pro Tools|HD and Pro Tools|HD Accel. .

Workstation / Recording Technology

WINNER Digidesign Accel: PCI-based HD Accel DSP cards supercharge Pro Tools|HD systems by delivering nearly 2x the power of first-generation Pro Tools|HD cards. With up to 50 percent more voices and bigger, better mixes at any sample rate (up to 192 kHz), Pro Tools|HD Accel’s substantially increased DSP power and optimized plug-in support result in dramatic workflow acceleration and surround mixing flexibility.

Lexicon Omega Studio: Omega Studio is an integrated computer recording system that includes the Omega 8x4x2 USB I/O mixer, ProTracks Plus™ 32-track recording software for PC, BIAS Deck 3.5 SE for Mac and the Pantheon™ world-class Lexicon reverb plug-in. Omega Studio comprises all components necessary to transform a computer into a professional 24-bit recording studio.

MOTU Digital Performer 4: Digital Performer lets users record, edit, arrange, mix, process and master audio and MIDI tracks to produce musical recordings, soundtracks for film and television and other audio production tasks. Version 4 adds many new features, including virtual instrument tracks and track freezing, an elegant new user interface and a nearly bottomless feature set.

SADiE DSD-8: The SADiE multi-channel DSD-8 represents the flagship model of the SADiE Series 5 Mastering Editor range. The DSD-8 is capable of full editing/mastering of 64fs DSD signals and incorporates complete authoring facilities for the SuperAudio CD format and can produce Scarlet Book cutting masters for SACD and Red Book masters for CD.

Steinberg Nuendo 2.0: The culmination of years of engineering, Nuendo 2.0 was developed to take the advantages of flexible, native PC and Mac systems to a new level of versatility by performing any task for audio professionals working in composition, film, broadcast, music, post-production, surround, game sound and multimedia.

TC Electronic PowerCore FireWire: PowerCore FireWire brings TC-quality processing to VST- and AudioUnit-host applications. It includes two types of reverb, multiple compressors, chorus/delay, parametric EQ, a synth, a guitar amp simulator and two PowerCore FireWires can be daisy-chained or combined with PowerCore PCIs for more processing power.

Sound Reinforcement Console Technology

WINNER Yamaha PM5000: The PM5000 retains the layout of the PM4000 with the versatility of the PM1D. All audio signals are handled in the analog domain, yet it offers advanced recall for up to 990 complete scenes. Features include comprehensive input channel functions, versatile 35-bus configuration for house or monitor applications, 12 VCA groups and a four-stereo/ eight-mono matrix.

Allen & Heath PA28: With Allen & Heath’s legendary sound quality and innovative design, the PA Series are ideal for houses of worship, nightclubs, schools, conference rooms and traveling musicians. Like all A&H mixers, the PA Series boast pots nutted down to the front panel, individual circuit boards, solid copper bus bars and the full, natural British EQ of an Allen & Heath desk.

Crest HP-Eight: The HP-Eight combines Crest audio quality with modern, efficient construction. Available in portable 24-channel and 32-channel frames, and installation-size 40, 48 and 56-channel frames, it features 4-band EQ, eight analog subgroups, 2-channel matrix, full talkback and monitor systems, 4-channel scene mute, 10 aux sends on each mono input channel and more.

InnovaSon Sy80: The Sy80 digital console features 80 inputs, 80 outputs, 80 faders and 48 mix buses, and allows an unlimited number of inputs to be "stacked" beneath a single "development" fader, letting the user designate a zone of faders anywhere on the console.

Midas Verona: Available in six sizes from 24 to 64 channels, the 8-bus Verona is equally at home in live concert or broadcast applications. Designed by the team responsible for the Midas XL4 and Heritage, Verona’s sonic performance surpasses that of current digital consoles and many high analog consoles.

Soundcraft LX7II: The updated LX7II features a new mic preamp and 4-band EQ based on the acclaimed EQ in the MH3 and MH4 touring consoles. Other standard features include frame sizes up to 32 mono inputs and four stereo input/returns with four groups, main stereo output and a dedicated mono output for center clusters, along with direct outs on the first 16 inputs for multitrack recording.

Small Format Console Technology

WINNER Yamaha 01V96: This digital console features 40 simultaneous mixing channels with full-resolution 24-bit/96kHz audio, a range of stereo effects with 32-bit internal processing, ADAT I/O, full automation and instant scene recall. The user interface and large display allow analog-style hands-on operation, with eight user keys for assignable functions and full integration with DAWs and computer-based recording software.

Allen & Heath Xone:92: The Xone:92 was designed by listening to the needs of pro DJs, offering great filters and a full-on MIDI implementation that’s wrapped in a package with tremendous creative control in the widest range of applications.

Mackie Control Universal: This desktop control surface for Logic Audio, Pro Tools, Digital Performer, Sonar, Nuendo, Cubase, Samplitude and Cool Edit Pro features eight Penny & Giles motorized touch faders, V-Pots for fast tweaking and a full-screen status/operations LCD. An optional extender expands the number of available control/faders.

Soundcraft Compact 4: This 4-input mixer is perfectly suited to many applications requiring simple mix facilities, but comes into its own when recording vocals and music onto computers using a soundcard. A variety of input sources are handled, including mic, line, DI for guitars and keyboards, and stereo inputs for keyboards, CD/tape or turntable (with RIAA equalization).

Tascam FW-1884: The FW-1884 is a professional control surface with audio/MIDI interfacing via FireWire high-speed data protocol. With eight channels of audio mic preamps, 4x4 MIDI interface, and flexible editing and mixing controls, the FW-1884 offers a powerful front end for recording workstations.

Trident S100: The John Oram-designed Trident S100 delivers that seriously warm analog tone that recent products never seem to approach. Ideal with workstation production or any digitally processed audio path, it’s an affordable 8x6 rackmount mixer of superb quality, with six output buses for simple 5.1 assembly, eight mic/line-level preamps, classic Trident Oram British EQ, five auxes and a headphone amp.

Large Format Console Technology

WINNER SSL C200: The C200 digital production console represents the latest evolution of SSL’s "knob-per-function" design, specifically for 5.1 audio and multipurpose studio applications. Based on new processing technology, the C200 delivers superior audio performance at 48kHz and 96kHz operation, with all of the automation features of SSL’s previous generations of music consoles.

API Vision: This surround mixing/recording console provides 5-channel panning on each fader, two moving faders on each channel, 24 main, three stereo buses and a dedicated 5.1 mix bus, along with comprehensive multiformat monitor facilities. Featuring resettable switch assignment and API’s 200 Legacy Series mic pres, dynamics modules, 550/560 EQs, fully resettable bus and input switching and an all-discrete signal path, Vision is custom-built to each user’s specification.

Fairlight Dream Constellation: This fully featured digital audio mix console with high-end automation and processing provides the same level of operation and functionality found in dedicated large-format digital audio mix consoles. However the Dream Constellation also includes a fully integrated 48-track disk recorder and editor and is delivered at a significantly lower cost and with a high degree of user-adaptability.

Oram Pro/Trident 24/80 Combination: The 5.1 Trident Series 80-Oram BEQ-PRO24 Combination is the result of John Oram’s vision of a truly professional stereo/5.1 analog console, putting his ‘70s and ‘90s module designs in the same frame for a sound quality that’s far superior to any mixer in its category. The magic of Oram’s circuit design, individual retro-size aluminum front panels and all-metal pots combine with the very latest in surface-mount technology.

Soundtracs DS-00: Offering scalable, medium- to large-format digital consoles in the mid-priced range, the Soundtracs DS-00 digital console features touchscreen control and a variety of add-on modules, making it a truly user-designable system. Specialized additions include a FP film section, EX fader channel extender modules and HD user-definable bay for fitting custom controllers, phase meters, etc.

Studer Vista 6: Based on its impressive Vista 7, Studer’s Vista 6 on-air digital console features a simplified center section, comprehensive busing, optional remote bay and the ability to incorporate third-party hardware options into the console.

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